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Par Collection Par Auteur- GUIU, C., (Editeur scientifique) (7)
- BRUNN, S.D., (Editeur scientifique) (6)
- RAIBAUD, Y., (Editeur scientifique) (6)
- WATERMAN, S., (Editeur scientifique) (6)
- HRACS, B.J. (3)
- POWER, D. (3)
- AUGUSTIN, J.-P., (Editeur scientifique) (2)
- CONNELL, J. (2)
- DUPONT, L., (Editeur scientifique) (2)
- HALLENCREUTZ, D. (2)
- CARNEY, G. (2)
- CARNEY, G. O. (2)
- GIBSON, C. (2)
- KONG, L. (2)
- KONG, L. (2)
- LANGE, B. (2)
- LEYSHON, A. (2)
- RAIBAUD, Y. (2)
- RAIBAUD, Y. (2)
- RENTZOS, I. (2)
- 2006 (16)
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- Afrique (2)
- Cultural ; Geografía cultural ; Música (2)
- Human geography (2)
- Musique (2)
- Aborigines ; Australia ; Coastal environment ; Cultural studies ; Discourse ; Music ; New South Wales ; Tourism (1)
- Aborigines ; Australia ; Cultural studies ; Geopolitics (1)
- Aborigènes ; Australie ; Auto-détermination ; Culturel ; Géopolitique ; Musique populaire (1)
- Aborigènes ; Australie ; Culturel ; Discours ; Economie culturelle ; Exotisme ; Festival ; Littoral ; Musique ; New South Wales ; Tourisme (1)
- Acervo cultural ; Bénin ; Cultural ; Jóvenes ; Música ; Negros ; Tradición (1)
- Acoustique ; Biophonie ; Géophonie ; Paysage ; Tchèque république ; Typologie (1)
- Activism ; Cape Town ; Community ; Consumption ; Cultural identity ; Cultural studies ; Globalization ; Imperialism ; Music ; Resilience ; Social inequality ; South Africa ; Western Cape (1)
- Activity space ; Canada ; Creativity ; Esthetics ; Labour ; Manpower ; Music industry ; Ontario ; Space time ; Spatial dynamics ; Toronto (1)
- Adaptación ; Cultural ; Diáspora ; Identidad ; Migración internacional ; Música (1)
- Adaptation ; Cultural studies ; Diaspora ; Identity ; International migration ; Music (1)
- Adaptation ; Culturel ; Diaspora ; Identité ; Indiens ; Migration internationale ; Musique noire (1)
- Administration ; Cultural studies ; Electrification ; Immigration ; United States of America ; Western United States (1)
- Géographies et musiques. Quelles perspectives ? (7)
- Geography and music. Theme issue (6)
- Géographie des musiques noires (6)
- The geography of music. Special issue (6)
- La ville, le bruit et le son (4)
- Cultures urbaines (2)
- A magic carpet trip to learning geography (1)
- A most public of musical performance : the English art of change-ringing (1)
- A tale of two scenes : civic capital and retaining musical talent in Toronto and Halifax (1)
- Aesthetic labour in creative industries : the case of independent musicians in Toronto, Canada (1)
- Akustická typologie krajiny (1)
- Allons aux bouzoukis. Une géographie culturelle et subculturelle de la ville grecque et de ses chansons populaires (1)
- Are geographers religiously unmusical? Positionalities in geographical research on religion (1)
- Az Eurovíziós Dalfesztivál geopolitikai háttere – avagy miért nem volt esélye Wolf Katinak ? (1)
- Berlin, capitale musicale (1)
- Beyond geography's visible worlds : a cultural politics of music (1)
- Black waters et black atlantic : quel teint pour la musique indienne de diaspora ? (1)
- Bongofury : tourism, music and cultural economy at Byron Bay, Australia (1)
- Branson: the new Mecca of country music (1)
- Celebrate the World... Celebrate L.A.! : public concerts and the making of the global city (1)
- Afrique (2)
- The place of music
- The AA. discuss previous work on music by geographers before tracing themes of universality and particularity through classical and popular musics. They consider issues of economy, society, polity and culture in the universal and national musics
- of the classical tradition, the modern global popular music industry and alternative popular musics.
- The geography of music. Special issue
- A. reviews the publications, conferences, and conference paper sessions over the last three decades dealing with the geography of music. Most of the research has centered on American folk and popular music. Certain areas of music geography have been
- almost ignored : geographic mapping of music styles, the geography of ethnic music, religious and martial music, and stage and film music. A. concludes with comments on the other articles in issue. - (SLD)
- The sounds of people and places: a geography of American folk and popular music
- Twenty-one essays on geographical aspects of musical styles and regional associations of music in the USA and Canada. Some studies focus on place (e.g. Ozarks or Oklahoma); others on type (e.g. blues, jazz, zydeco, bluegrass, rock and roll). - (DWG)
- We sing our home, We dance our land : indigenous self-determination and contemporary geopolitics in Australian popular music
- -determination and self expression can exist. The emergence of a vibrant Aboriginal popular music scene requires a rethinking of Australian music, and appeals for greater recognition of Aboriginal artists' sophisticated geopolitical strategies.
- An analysis of the cultural apparatus, recordings, and popular performance events of indigenous musicians reveals the construction of arenas of empowerment at a variety of geographical scales, within which genuine spaces of Aboriginal self
- Popular music in a transnational world : the construction of local identities in Singapore
- and artiste whose works are part of the popular music industry mainstream, and that of Mandarin songs of the genre xinyao, the A. shows that, despite increasing globalising forces, music is still an expression of local/national influences.
- The focus is on the exploration of local influences and global forces in the production of music. The A. explores how local resources intersect with global ones in a process of transculturation. Using the example of English songs by a songwriter
- Empire theatres and the empire : the popular geographical imagination in the age of empire
- Classe sociale ; Colonisation ; Communication de masse ; Culture populaire ; Culturel ; Idéologie ; Impérialisme ; Music hall ; Politique
- The role of emerging mass media in informing popular attitudes towards imperialism in late-Victorian and Edwardian Britain is explored through a case study of music hall. Songs and sketches contributed little to the nurturing of an imperialist
- popular imagination. The A. takes issue with the assertion made by Hobson that music hall fostered a popular chauvinism. He suggests that the halls celebrated the emergence of a culture of consumption that transcended social and ethnic boundaries
- Popular music in Singapore: exploring local cultures, global resources, and regional identities
- The exploration of local influences and global forces in the production of music is focused upon. In analysing the music of Dick Lee, a Singaporean artiste, the A. illustrates how music is an expression of local/national influences. This music
- Country music radio and American culture regions
- Country music ; Culturel ; Etats-Unis ; Folklore ; Loisir ; Régionalisation ; Régression multiple ; Ville
- to population size and median household income. Country music is most popular in the Upland South (where et originated), Great Plains, and Texas/Oklahoma regions. There is a general aversion to such music in the New England and Middle Atlantic regions. - (SLD)
- AA. examine 10 culture regions, adapted from Zelinsky's The Cultural Geography of the United States (1973), via 162 metropolitan listening areas (for which listenership ratings data exist). They found country music listenership inversely related
- Lubbock on everything : the evolution of place in popular music (A West Texas example)
- The geography of music. Special issue
- Study focuses on the recordings of three contemporary performers from West Texas - Joe Ely, Butch Hancock, and Terry Allen - to demonstrate the influence that geography has on music and the capacity that sing has to create strong images of place
- The geography of music. Special issue
- Cultural studies ; Popularization ; Seattle ; United States of America ; Washington State
- that the Seattle sound grew to prominence because of a lot of local musical talent (Nirvana, Pearl Jam etc.) and several successful independent record labels such as Sub Pop Records. The commodification and popularization of grunge essentially killed it by the mid
- Article is an examination of the Seattle sound or grunge as a form of alternative rock music in the late 1980s and early 1990s. Media theories of why this city generated a new musical sound center on its isolation and weather. The A. favors the idea
- Place and innovation in popular music : the bebop revolution in jazz
- The geography of music. Special issue
- Paper explores the relationship between place and innovation in popular music, focusing on the bebop style of jazz. Bebop's creation in the 1940s and its early development was situated in a set of nested locales in New York City, then the undisputed
- jazz capital. Certain jazz clubs in Harlem (closed space) facilitated the experimentation that evolved the bebop style. However, the style's formalization and popularization happened in jazz clubs in midtown Manhattan (open space), first along 52nd
- Government regulation in the Australian popular music industry : the rhetoric of cultural protection, the reality of economic production
- Geography and music. Theme issue
- The evolution of Taipei’s music industry : cluster and network dynamics in the innovation practices of the music industry
- Cluster ; Creative industry ; Firm strategy ; Industry ; Innovation ; Music industry ; Network ; Path dependence ; Popular music ; Taipei ; Taiwan
- This paper explores the spatial and organisational dynamics of innovation activities using Taipei’s music industry as a case study. It illustrates how the cluster and network elements of the music industry are intertwined in innovation practices
- . It argues that the innovation dynamics of Taipei’s music industry are a hybrid feature of Taipei’s cluster environment and the strategic competencies of music project networks rather than the local cluster effect. In conclusion, a different trajectory
- for the evolution of Taipei’s music industry is presented. Additionally, this dynamic process between cluster and network makes Taipei a hybrid creative platform that is an active element in the cultivation of the innovative competencies of Taipei’s music producers
- Value creation in scene-based music production : the case of electronic club music in Germany
- Berlin ; Creative economy ; Germany ; Music industry ; Popular music ; Third sector ; Urban economy ; Value chain
- Popular music in geographical analyses
- Suggests use of genaeology, popular music, sports, catastrophies, and current conflicts to endear students to geography. - (D. W. Gade).
- Forró's wars of maneuver and position : popular Northeastern music, critical regionalism, and a culture of migration
- Brazil ; Cultural geography ; Cultural studies ; Diaspora ; Internal migration ; Labour migration ; Nordeste ; Popular music ; Regionalism ; Tradition ; Woman
- L'A. analyse le baião, précurseur du genre musical forró, caractéristiques du Nordeste brésilien ainsi que la résistance menée par plusieurs générations d'artistes contre l'hégémonie culturelle de la samba, propre à l'industrie musicale de Rio de
- The geography of zydeco music
- Southwestern Louisiana is the hearth area for zydeco music, a blend of African-American and African-French traditions. It developed into a distinctive genre when rhythm-and-blues music was grafted onto it. Zydeco as a kind of music has spread
- Musical work in a university town : the shifting spaces and practices of DJs in Dunedin
- Creativeness ; Cultural studies ; Music ; New Zealand ; Small town
- Dunedin : small, remote, musical, creative ? Shaping sounds, creating work : music retail, venues, audiences. Career prospects.
- Geography of music : inventory and prospect
- Research on the geographical dimension of music in the USA since the 1960s has resulted in more than 25 articles. Most studies have investigated origins and diffusion of musical styles, especially « rock-and-roll » and « country ». - (DWG)